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Arushi Kapoor
HOME
ABOUT
  • About Arushi
  • Submit your Portfolio
Blissful Introspection
BOUNDARY BEYOND FIGURES
THE HERO SHE NEEDS
WISH YOU WERE HERE
INTERSECTING IDENTITIES
LAWLESS REFLECTIONS
THE HOURGLASS OVERTURNED
THE REALITY OF ILLUSIONS
Contact
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  • HOME
  • ABOUT
    • About Arushi
    • Submit your Portfolio
  • Blissful Introspection
  • BOUNDARY BEYOND FIGURES
  • THE HERO SHE NEEDS
  • WISH YOU WERE HERE
  • INTERSECTING IDENTITIES
  • LAWLESS REFLECTIONS
  • THE HOURGLASS OVERTURNED
  • THE REALITY OF ILLUSIONS
  • Contact

  • HOME
  • ABOUT
    • About Arushi
    • Submit your Portfolio
  • Blissful Introspection
  • BOUNDARY BEYOND FIGURES
  • THE HERO SHE NEEDS
  • WISH YOU WERE HERE
  • INTERSECTING IDENTITIES
  • LAWLESS REFLECTIONS
  • THE HOURGLASS OVERTURNED
  • THE REALITY OF ILLUSIONS
  • Contact

THE HOURGLASS OVERTURNED

Opening October 21st, 2021 Los Angeles

Arushi Kapoor is pleased to present “The Hourglass Overturned” an exhibition by a group of Los Angeles based female artists at ARUSHI in Los Angeles. The show features a curated selection of artworks by Lindsay Dawn, LINZ, Leila Nazarian, Marta Solaz, Lindsey Nobel, Akshita Gandhi, Sophie Kipner and Amanda Flowers.


For centuries, the female form has been depicted across all visual mediums. From Ancient Greece to the Renaissance to Abstract Expressionism, the female body can be seen time and time again. And despite the fact that women were the subject matter, these images were primarily created by male artists and not by women themselves. Historically, female artists have been forced to exist in the shadows in favor of their male counterparts, often remaining uncredited, ignored, or excluded from art history narratives. The art world has procrastinated on not only including female artists but female leadership as well. As we progress further into the 21st century, this male driven narrative is slowly beginning to evolve into a more inclusive one. We are beginning to see a shift in not only including and developing emerging female artists but also a plethora of female led institutions, art dealers, and curators stepping up. “The Hourglass Overturned” focuses on displaying the distinct style and artistic journey of each of the featured artists. Hailing from all corners of the globe, each artist is able to express their unique background and life experiences through their work. Our goal is to not only empower these artists, but to empower women everywhere to continue to shine and never give up in the face of adversity. It’s imperative for us to be the change we want to see in the art world and to give a voice to those who have been silenced for so long.

Works

'Angel' (2019)

'Bluo Hands Three' (2021)

Systematic Chaos

Akshita Gandhi (Michelle Cultbytes)


48 x 32.5 in

Acrylic and markers on canvas

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Systematic Chaos

'Bluo Hands Three' (2021)

Systematic Chaos

Akshita Gandhi (Michelle Cultbytes)


48 x 36 in

Photograph on Fujifilm glossy paper

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'Bluo Hands Three' (2021)

'Bluo Hands Three' (2021)

'Bluo Hands Three' (2021)

Amanda Flowers


48 x 24 in

Oil Pastel on Wood


"Some bluo love for the soul"

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'Bluo Hands Four' (2021)

'Khatam Diamond Khorshidi' (2021)

'Bluo Hands Three' (2021)

Amanda Flowers


48 x 24 in

Oil pastel on wood

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'The Call to Surf' (2021)

'Khatam Diamond Khorshidi' (2021)

'Khatam Diamond Khorshidi' (2021)

Leila Nazarian


18 x 24 in

Khatam (Persian marquetry made with brass, metal and bone)

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'Khatam Diamond Khorshidi' (2021)

'Khatam Diamond Khorshidi' (2021)

'Khatam Diamond Khorshidi' (2021)

Leila Nazarian


32.5 x 7.75 in

Khatam (Persian marquetry made with brass, metal and bone) on skate deck

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'Khatam Bridge Shamsi' (2021)

'Khatam Ascending Salibi' (2021)

'Khatam Pyramid Shamsi' (2021)

Leila Nazarian


32.5 x 7.75 in

Khatam (Persian marquetry made with brass, metal and bone) on skate deck

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'Khatam Pyramid Shamsi' (2021)

'Khatam Ascending Salibi' (2021)

'Khatam Pyramid Shamsi' (2021)

Leila Nazarian


32.5 x 7.75 in

Khatam (Persian marquetry made with brass, metal and bone) on skate deck

Inquire

'Khatam Ascending Salibi' (2021)

'Khatam Ascending Salibi' (2021)

'Khatam Ascending Salibi' (2021)

Leila Nazarian


32.5 x 7.75 in

Khatam (Persian marquetry made with brass, metal and bone) on skate deck

Inquire

'Khatam Bridge Abri' (2020)

'Khatam Diamond Abri' (2021)

'Khatam Ascending Salibi' (2021)

Leila Nazarian


32.5 x 7.75 in

Khatam (Persian marquetry made with brass, metal and bone) on skate deck

Inquire

'Khatam Diamond Abri' (2021)

'Khatam Diamond Abri' (2021)

'Khatam Diamond Abri' (2021)

Leila Nazarian


32.5 x 7.75 in

Khatam (Persian marquetry made with brass, metal and bone) on skate deck

inquire

'Time of Times I' (2021)

'Khatam Diamond Abri' (2021)

'Khatam Diamond Abri' (2021)

Lindsay Dawn 


72 x 60 in

Oil, acrylic, oil stick, pastel, pencil, marker & spray paint on canvas

inquire

'Time of Times II' (2021)

'Gridded People on a Sailboat' (2020)

'Time of Times II' (2021)

Lindsay Dawn 


72 x 60 in

Oil, acrylic, oil stick, pastel, pencil, marker & spray paint on canvas

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'Portal' (2021)

'Gridded People on a Sailboat' (2020)

'Time of Times II' (2021)

Lindsay Dawn


84 x 60 in

Oil, acrylic, oil stick, marker & spray paint on canvas

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'Gridded People on a Sailboat' (2020)

'Gridded People on a Sailboat' (2020)

'Five People Just Got Out of the Pool' (2020)

Lindsey Nobel


56.5 x 73.5 in

Acrylic, pencil, and charcoal on canvas

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'Five People Just Got Out of the Pool' (2020)

'Five People Just Got Out of the Pool' (2020)

'Five People Just Got Out of the Pool' (2020)

Lindsey Nobel


50 x 65 in

Acrylic, pencil, and charcoal on canvas

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'Gridded People (Le Taha'a) #1' (2019)

'Five People Just Got Out of the Pool' (2020)

'Gridded People (Le Taha'a) #1' (2019)

Lindsey Nobel


12 x 12 in

Rapidograph pen drawing, watercolor on Arches paper


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'Gridded People (Le Taha'a) #2' (2019)

'Five People Just Got Out of the Pool' (2020)

'Gridded People (Le Taha'a) #1' (2019)

Lindsey Nobel


12 x 12 in

Rapidograph pen drawing, watercolor on Arches paper

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'Two People Texting (2020)

'Two People Texting (2020)

'Two People Texting (2020)

Lindsey Nobel 


36 x 24 in

Acrylic on Canvas

inquire

'Established Youth' (2021)

'Two People Texting (2020)

'Two People Texting (2020)

LINZ


60 x 72 in

Acrylic on Canvas


"they assumed we would fail, they assumed no conquer...but look at us now, established."

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'Digital Paradise' (2021)

'Two People Texting (2020)

'Digital Paradise' (2021)

LINZ


60 x 72 in

Acrylic on Canvas


"take me anywhere but here"

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'INTO THE BLUE' (2020)

'INTO THE FLOWER' (2020)

'Digital Paradise' (2021)

Marta Solaz


36 x 48 in

Acrylic on Canvas


"WOMAN FRACTALS OF ACTION"

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'INTO THE FLOWER' (2020)

'INTO THE FLOWER' (2020)

'INTO THE FLOWER' (2020)

Marta Solaz


36 x 36 in

Acrylic on Canvas


"WOMAN FRACTALS OF ACTION"

inquire

'INTO MYSELF' (2020)

'INTO THE FLOWER' (2020)

'INTO THE FLOWER' (2020)

Marta Solaz


48 x 60 in

Acrylic on Canvas


"WOMAN FRACTALS OF ACTION"

inquire

'And One, and Two, and Three (Triptych), left panel' (2021)

'I“And One, and Two, and Three (Triptych), middle panel”' (2021)

'I“And One, and Two, and Three (Triptych), middle panel”' (2021)

Sophie Kipner


48 x 60 in

Charcoal, ink, pastel and acrylic on canvas


“NYC, 1994"

inquire

'I“And One, and Two, and Three (Triptych), middle panel”' (2021)

'I“And One, and Two, and Three (Triptych), middle panel”' (2021)

'I“And One, and Two, and Three (Triptych), middle panel”' (2021)

Sophie Kipner


48 x 60 in

Charcoal, ink, pastel and acrylic on canvas


“NYC, 1994"

inquire

'And One, and Two, and Three (Triptych), right panel'(2021)

'I“And One, and Two, and Three (Triptych), middle panel”' (2021)

'And One, and Two, and Three (Triptych), right panel'(2021)

Sophie Kipner


48 x 60 in

Charcoal, ink, pastel and acrylic on canvas


“NYC, 1994"

inquire

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Email: arushi@arushikapoor.com

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