02Invite Arushi
For panels, conversations, cultural programming and private events, share a little about the audience, setting and theme. Each engagement is developed around a meaningful exchange—not a generic keynote.
03Formats
Engagements are built around the room rather than a fixed deck. In practice that means a moderated conversation or panel, a seated talk with extended audience questions, a private collector briefing for a family office or next-generation group, a walkthrough at a fair or exhibition, or a workshop session for advisors and cultural staff.
Most audiences learn more from specific decisions than from market overviews, so sessions are built around real acquisition and stewardship questions and what turned on them.
04Who the audiences are
Private collectors and next-generation collecting groups; family offices and wealth advisors; real-estate developers, architects and interior designers; museums, foundations and cultural organizations; and university and professional programmes in art business.
Sessions have been delivered to audiences entirely new to collecting and to rooms of established collectors. The framing changes considerably between the two, and it is worth saying which you have.
05What to include in an invitation
The useful details are the audience and roughly how many, the date and city, the format and length, whether the session is on or off the record, and what you would like the room to leave understanding.
Travel is planned from Los Angeles or Miami. International engagements are considered with sufficient notice.